My porcelain
Porcelain is a precious material derived from the meeting of the three elements of life: earth, water, and fire.
The finished objects undergo two firings before being ready for the final decoration, the third firing.
I personally handle the decoration and the firing of this final stage, called “third fire.”
I work with the technique known as the “European” style, which involves using colored powders, oils, and plant essences to achieve the right consistency for the color mixtures, allowing for soft, fluid brushstrokes infused with the delicate scent of lavender.
I have always been fascinated by this world of slow and intricate decoration, where imagination has room to flourish and where waiting a full day before opening the kiln—after it reaches 780 degrees Celsius—is part of the magic. The result is always a surprise: a reward for the work done and a lesson in constant improvement.
Petals of flowers and the delicate leaves surrounding them create elegant decorations that transform everyday white porcelain objects into precious gifts.
Autumn fruits or miniature landscapes can even become true paintings.
paint objects of various shapes: plates, boxes, vases, cups, teapots, kitchenware, and gift items.
There is no initial sketching; the decoration is done with quick brushstrokes, blending colors softly. For more complex compositions, I study the shapes carefully and create a preliminary drawing using a special thick pencil. Once the painting has dried, I refine certain details if needed.
The finished pieces are then placed in a special kiln and fired at 780 degrees Celsius. The entire firing cycle lasts six hours, ensuring the colors properly set.
Once the temperature drops below 100 degrees, the kiln can finally be opened. Experience with color is essential, as firing can subtly alter the tones.
